Ishtiyaq Kar
Srinagar Dec 04 (KINS): The centuries-old tradition of stone carving, particularly for the construction of Hamams (traditional heated rooms), is witnessing a steep decline in Kashmir. Local artisans, who have relied on their skill in sculpting stones from the region’s quarries, now face a dire threat to their livelihood due to the influx of cheaper Rajasthani materials in the local market.
Hamams have been an integral part of Kashmiri culture, offering warmth and comfort during the harsh winters. Traditionally, these were constructed using local stones meticulously sculpted by artisans. However, the arrival of precut and processed materials from Rajasthan, including marble and other stones, has significantly reduced the demand for locally crafted stone slabs.
Artisans like Bashir Ahmad, a stone carver from Pampore, lament the dwindling demand. “Earlier, people valued our work because it was part of our tradition. Now, they prefer cheaper and polished stones from Rajasthan. It has become difficult to make ends meet,” he told news agency KINS.
These artisans not only preserve a cultural heritage but also contribute to sustainable local practices by using indigenous materials. However, they are unable to compete with the low prices and accessibility of Rajasthani products, which are mass-produced and require minimal labor.
Consumers in Kashmir are increasingly opting for Rajasthani materials, citing their affordability and modern appeal. According to traders, the cost of procuring and sculpting local stones has become less viable compared to importing ready-to-install materials.
“Customers now prefer marble and granite from Rajasthan for their Hamams. It is cheaper, readily available, and requires less time for installation,” said a Srinagarbased supplier.
The decline of this traditional art form has cultural and economic repercussions. Experts warn that the loss of such heritage crafts could erode Kashmir’s rich artisanal legacy. “The traditional method of Hamam making is more than a construction process; it is an art that reflects Kashmir’s unique identity,” said Farooq Ahmad, a historian.
Efforts to revive this art form are yet to gain traction. Artisans are urging the government to provide subsidies and promote the use of local materials to sustain their craft. “If steps aren’t taken soon, this art form will vanish,” said an artisan Mushtaq. Ahmad from Pulwama. (KINS)
